• Really hard but i make little progress 🙂 what do u think ?

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      Anim, Vyshnav and 3 others
      7 Comments
      • Hola, soy la menos indicada por que tambiĂ©n estoy de aprendizaje, pero me gustarĂ­a que me dijeras tu que ves, piensa como si no fuera tu dibujo, donde le ve el error 😉

        Espero no molestarte con mi comentario ☺️

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        • @marisebas80 Todo está bien 🙂 acepto con gusto cualquier opiniĂłn y estoy agradecido de que quieran ayudarme. SĂ© que mis proporciones no son correctas. DibujĂ© la imagen a partir de una foto de referencia, pero a mano alzada, sin usar cuadrĂ­cula ni el mĂ©todo Loomis.

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        • Si algo me ha quedado claro durante el curso es que pequeños arreglos marcarán la diferencia en el dibujo, te digo lo que yo harĂ­a 😁
          La nariz es aparte de los ojos uno de los rasgos que definen más un rostro intentarĂ­a adaptarla al rostro luego la boca juntarla un poco a la nariz y ya por Ăşltimo las orejas, si te fijas en la mayorĂ­a de personas empiezan más o menos a la altura de los ojos terminan en la boca esto es lo que entiendo que explica el profe en el mĂłdulo de el mĂ©todo loomis, si es a mano alzada viendo la referencia yo tomarĂ­a medidas y las pasarĂ­a al dibujo, a mi me pasa igual que a ti ☺️😉

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          • @marisebas80 Muchas gracias por tu comentario, intentarĂ© volver a dibujar la referencia y prestar atenciĂłn a estos puntos 🙂

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          • Ali

            Hermann, you are definitely making progress 😊
            Portraits are not easy, and the fact that you’re staying with it is already a big win. There are good things happening here. The eyes have expression, and you’re beginning to understand the overall head structure. That shows improved observation and awareness compared to earlier attempts.
            For improvement, focus a bit more on proportions. The face is slightly long, so before shading, double-check the spacing between the eyes, nose, and mouth. Using very light construction lines will help you catch these things early.
            With shading, aim for a softer and more gradual buildup. Some areas are getting dark too quickly. Try to stay in lighter mid-tones longer and let the form guide where the shadows should deepen, especially around the cheeks and jaw.
            Also think about overall value balance. Keeping one clear light area and one clear shadow area will help the face feel more solid and natural.
            This is a solid step forward. Keep practicing with patience and intention. You’re doing the right work 👍

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            • @alihaiderrehman Thank you so much for your tips. Every time I post something and you tell me what I’m doing wrong, I learn more and more from my mistakes, because I can’t see them myself. That helps me a lot. Thank you for your work.
              Portraits are very difficult, and many people ask me why I started with something like this, but I’m addicted to drawing faces. I’ve also set myself the goal of becoming so good that I can hang my own portrait at home one day 🙂
              Best regards from Germany

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              • Ali

                @martinhermann2 Hermann, reading this honestly made me smile 😊

                You have exactly the right attitude. Being able to learn from mistakes you can’t yet see on your own is a huge step forward, and that’s how real artists grow. Portraits are difficult, so choosing to face them head on already shows commitment and courage.
                Being drawn to faces is a good thing. Faces train observation, patience, and control more than almost anything else. And your goal of hanging your own portrait at home one day is a strong and realistic goal. Keep that vision in mind when things feel hard.
                Stay consistent and trust the process. You’re moving in the right direction 👍

                Warm greetings back to Germany 🙌

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